https://journals.sagepub.com/doi/10.1177/1746847719831398 |
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(In)Animate Semiotics: Virtuality and Deleuzian Illusion(s) of Life - Spencer Roberts, 2019 |
https://journals.sagepub.com/doi/10.1177/1746847717740093 |
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Animation and the Powers of Plasticity - Pasi Väliaho, 2017 |
https://www.worldcat.org/title/animation-embodiment-and-digital-media-human-exp… |
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Animation, embodiment, and digital media : human experience of technological liveliness. (Book, 2013) [WorldCat.org] |
https://journals.sagepub.com/doi/10.1177/1746847713519390 |
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Cognitive Animation Theory: A Process-Based Reading of Animation and Human Cognition - Dan Torre, 2014 |
https://journals.sagepub.com/doi/10.1177/1746847717729520 |
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Digital Unreason: Jordan Wolfson’s ‘Evil Jew’ - Alex Charnley, 2017 |
https://journals.sagepub.com/doi/full/10.1177/1746847717695434 |
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Frank Grimes’ Enemy: Precarious Labour and Realism in The Simpsons - Greg Sharzer, 2017 |
https://journals.sagepub.com/doi/full/10.1177/1746847717708972 |
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Into the Choppy Waters of Peace: An Inquiry into Peace- and Anti-Violence Animation - Myria Christophini, 2017 |
https://journals.sagepub.com/doi/full/10.1177/1746847720909348 |
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Phytograms: Rebuilding Human–Plant Affiliations - Karel Doing, 2020 |
https://muse.jhu.edu/article/51656 |
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Project MUSE - The Materialities of Maya: Making Sense of Object-Orientation |
https://journals.sagepub.com/doi/10.1177/1746847717729605 |
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Rango, Ethics and Animation - Sean Cubitt, 2017 |